European Painting Confronted with the Transition from Polytheism to Monotheism
For centuries, Europe lived surrounded by visible gods. They had bodies, faces, stories, tempers, desires, and a profoundly human dimension. They inhabited the walls of houses, public squares, temples, and frescoes. Then, gradually, this familiarity with the divine faded. Not through an immediate iconoclastic upheaval, but through a slow shift in which images more than Read more
Culture 3.0: Towards a New Financial Structure for Cultural Institutions
Beeple (Mike Winkelmann), Everydays: The First 5000 Days, 2021. NFT. ©Beeple From Speculation to Infrastructure: The Genesis of a Regulated Cultural Web 3.0 The year 2021 was marked by a sudden and unprecedented explosion in the field of Non-Fungible Tokens (NFTs). This period was characterized by a level of speculative euphoria that remains difficult to Read more
How “Amazing Night 2” Uses Comedy to Examine the “Invisible Pain Points” of Contemporary Society
In this era dominated by big data recommendations and fragmented information, finding a carefree and unrestrained bout of laughter seems extremely easy, yet it is also incredibly precious. The punchlines are mass-produced, and jokes are quickly forgotten. Amidst the noisy wave of entertainment, have we ever felt a sense of emptiness at a moment when Read more
Édouard Manet tried to warn us about the male gaze
We often come across the expression male gaze on the internet and in the media. It refers to the act, in arts, of depicting women and the world from a heterosexual male perspective. This perspective represents women as sexual objects, for the pleasure of the heterosexual male audience. The concept of male gaze was first articulated by the British Read more
Is the traditional Franco-Belgian comic format coming to an end?
When Art Spiegelman’s Maus received the Pulitzer Prize in 1992, the work was presented as a ‘graphic novel’. The term is once again imposed in traditional media when Persepolis by Marjane Satrapi meets with major critical and institutional success. These works are rarely described as comic strips (“Bandes Dessinées” in French, often abbreviated as BD), Read more
Vinyl records are back! This revival could be detrimental to the environment… or is it just our consumption habits?
While music has never been easier to access, vinyl records continue to stand out as something special. More vinyl were sold than CDs in 2024 in France, a situation that would have been unthinkable twenty years earlier. According to the 2025 Global Music Report published by the IFPI (International Federation of the Phonographic Industry), revenues Read more
La Folle Journée de Nantes: A Winter Celebration of Music for Everyone
Welcome to La Folle Journée For more than two decades, Nantes has established itself as one of the most dynamic cultural cities in France. Here, culture is not confined to a few key dates or venues reserved for insiders: it flows through the urban space throughout the year and reaches all audiences. Nantes’s cultural calendar Read more
Cultural Appropriation: The « Inspiration » Mask of the Luxury Empire
The years 2024 and 2025 have served as a harsh wake-up call for the global luxury industry. What was once dismissed as a « creative oversight » has evolved into a full-blown legitimacy crisis. When Prada debuted « leather sandals » in its Spring/Summer 2026 collection — priced at a staggering $1,200 — the internet’s « digital tribe » quickly identified Read more
Luxury and Art : A new cartography of cultural power
These last weeks, the luxury industry has found itself at the heart of a scandal. Several houses, including Dior or Valentino, which proudly display their artisanal excellence with the label “Made in Italy”, have been accused of having outsourced a part of their production in clandestine workshops, with workers paid only a few euros per Read more
L’Etranger (The Stranger) from Camus to Ozon: how can this canonic literary masterpiece be adapted in movie?
When cinema takes on such a mystical and complex work I returned to the novel The Stranger a few weeks before going to see the adaptation. As I closed the book, I was struck by the raw simplicity and silent depth of Camus’ writing: the absurdity, the absence of certainties, the feeling of being on Read more